Sunday, December 16, 2018

Stunning Stills From Alam Ara-Ulti Ganga and Other

 Scene from 'Alam Ara' ("Jewel of the World") 1931

Still from 'Alam Ara' 1931 (“Jewel of the World”). (Hindi: आलम आरा, Urdu: عالم آراء).
 
Dir: Ardeshir M. Irani. Studio: Imperial Films Company.

 Master Vithal and Zubeida in 'Alam Ara' ("Jewel of the World") 1931
 Zubeida publicity still for 'Alam Ara' ("Jewel of the World") 1931

Zubeida publicity still for 'Alam Ara' 1931 (“Jewel of the World”). (Hindi: आलम आरा, Urdu: عالم آراء).
 
Dir: Ardeshir M. Irani. Studio: Imperial Films Company.

 Zubeida and Master Vithal in 'Alam Ara' ("Jewel of the World") 1931

 Still from Sohrab Modi's 'Khoon ka Khoon' ('Blood for Blood') 1935 attribution

Image from Sohrab Modi's 'Hamlet' the first Indian language Shakespeare talkie. (“Blood for blood” ) 1935. Dir: Sohrab Modi. Studio: Minerva Movietone, Stage Film.

 Scene from 'Khoon ka Khoon' ('Blood for Blood') 1935 attribution

Image from Sohrab Modi's 'Hamlet' the first Indian language Shakespeare talkie. (“Blood for blood” ) 1935. Dir: Sohrab Modi. Studio: Minerva Movietone, Stage Film.

 Sairandhri 1933

Leela as Sairandhri and Master Vinayak as King Virat, still from 'Sairandhri' 1933. First Indian film in colour. A costume spectacular, it was made in India and later sent to the UFA Studio in Germany for colour processing.

 Sairandhri 1933

Remake of Prabhat's original 'Keechak Vadh' (1928). First Indian film in colour. A costume spectacular, it was made in India and later sent to the UFA Studio in Germany for colour processing.

 Sairandhri 1933

Leela as 'Sairandhri' and Nimbalkar as 'Keechak' in Sairandhri, the first colour film to be released in India. A costume spectacular, it was made in India and later sent to the UFA Studio in Germany for colour processing.

 Seeta 1934

Screen legend Durga Khote in the starring role, still from 'Seeta' 1934. Dir: Devaki Bose. Studio: East India Film Company.
 
One of 21 most wanted missing Indian cinema treasures identified by National Film Archive of India founder P K. Nair.

 Balayogini 1936

Arani Satyanarayana and Baby Saroja as the widow 'Chellam' and her daughter in this social interest film on widow remarriage, still from 'Balayogini' 1936. Dir: K. Subramanyam. Studio: Madras United Artists Corporation.
 
One of 21 most wanted missing Indian cinema treasures identified by National Film Archive of India founder P K. Nair.

 Zubeida in 'Alam Ara' ("Jewel of the World") 1931
 Poster from 'Alam Ara' ("Jewel of the World") 1931

Poster from 'Alam Ara' 1931 (“Jewel of the World”). (Hindi: आलम आरा, Urdu: عالم آراء).
 
Dir: Ardeshir M. Irani. Studio: Imperial Films Company.

 Scene from 'Alam Ara' ("Jewel of the World") 1931
 Zubeida in 'Alam Ara' ("Jewel of the World") 1931

Zubeida . Still from 'Alam Ara' 1931 (“Jewel of the World”). (Hindi: आलम आरा, Urdu: عالم آراء).
 
Dir: Ardeshir M. Irani. Studio: Imperial Films Company.

 Master Vithal and Zubeida in 'Alam Ara' ("Jewel of the World") 1931

Master Vithal and Zubeida. Still from 'Alam Ara' 1931 (“Jewel of the World”). (Hindi: आलम आरा, Urdu: عالم آراء).
 
Dir: Ardeshir M. Irani. Studio: Imperial Films Company.

 Master Vithal and Zubeida in 'Alam Ara' ("Jewel of the World") 1931

Master Vithal and Zubeida. Still from 'Alam Ara' 1931 (“Jewel of the World”). (Hindi: आलम आरा, Urdu: عالم آراء).
 
Dir: Ardeshir M. Irani. Studio: Imperial Films Company.

 Wildcat of Bombay 1927 (silent) attribution

The glamourous Sulochana (Ruby Myers) played 8 roles in this silent thriller, many of them men. Still from the silent 'Wildcat of Bombay' 1927. Dir: Mohan Bhavnani. Studio: Imperial Films Company. The film was remade as a talkie in 1936 (which is also believed lost, see accompanying folder).

 Ulti Ganga 1942

What happens when gender roles are reversed in the world? A film ahead of it's time. Starring Pramila Devi and Sadiq Ali. Poster for 'Ulti Ganga' 1942 (“The Ganga flows in reverse”). Dir: Keshavrao Dhaibar. Studio: Minerva Movietone.
  
One of 21 most wanted missing Indian cinema treasures identified by National Film Archive of India founder P K. Nair.

 A scene from 'Khoon ka Khoon' ('Blood for Blood') 1935 attribution

Image from Sohrab Modi's 'Hamlet' the first Indian language Shakespeare talkie. (“Blood for blood” ) 1935. Dir: Sohrab Modi. Studio: Minerva Movietone, Stage Film.
 
One of 21 most wanted missing Indian cinema treasures identified by National Film Archive of India founder P K. Nair.

 Seeta 1934

Behind the scenes of 'Seeta' 1934, the first Indian talkie to be screened at an international film festival. Dir: Devaki Bose. Studio: East India Film Company.
 
One of 21 most wanted missing Indian cinema treasures identified by National Film Archive of India founder P K. Nair

 Baby Saroja in Balayogin 1936

Baby Saroja, in the first substantial child artist role in Indian cinema, still from 'Balayogini' 1936. Dir: K. Subramanyam. Studio: Madras United Artists Corporation.

 Zubeida in 'Alam Ara' ("Jewel of the World") 1931

Zubeida. Still from 'Alam Ara' 1931 (“Jewel of the World”). (Hindi: आलम आरा, Urdu: عالم آراء).

The Mill (Mazdoor) 1934


Ishrat Sultana as Padma and S.B. Nayampalli as Vinodh star in the first Indian talkie to be banned. Based on a Munshi Premchand story about the rights of the working class. Still from 'Mazdoor' 1934 (“The Mill”). Dir: Mohan Bhavnani. Studio: Ajanta Cinetone.
 
One of 21 most wanted missing Indian cinema treasures identified by National Film Archive of India founder P K. Nair.
 

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