Legendary playback singer Shamshad Begum, who mesmerised
music lovers with her classic songs, died at her Mumbai residence from
age-related ailments On April 23. We pay her a tribute here.
Know a voice that wears the curve of a smile, the twinkle of
mischief in the eyes, an indomitable zest for life?
And the unanimous answer shall be Shamshad Begum.
Her ebullient singing is synonymous with light-hearted
banter and saucy propositions but her range wasn't restricted to rapture. The
legendary singer flexed her skills to convey heartache with just as much
potency making her unique from her contemporaries.
Born in Amritsar, the genial and accessible Shamshad Begum
didn't get any official training in music since her family wasn't too keen on
her pursuing it as a profession. Eventually, she convinced them and sang for
her first film in Punjabi -- Yamla Jat -- under the great
composer Ghulam Haider. Her songs caught on and so did her popularity, which
soared with hit numbers from Aag, Aan, Deedar, Babul, Awaara, CID, Naya
Daur, Mother India, Mughal-E-Azam and Kismat.
Chhod Babul Ka Ghar, Babul (1950)
Ek Do Teen, Awara (1951)
Holi Aayi Re Kanhai, Mother India (1957)
Kabhi Aar Kabhi Paar, Aar Paar (1954)
Kajra Mohabbat Wala, Kismat (1969)
Reshmi salwar kurta jaali ka, Naya Daur (1957)
Saiyan Dil Mein Aana Re, Bahar (1951)
Teri Mehfil Mein Kismat, Mughal-E-Azam (1960)
The Superhits of Shamshad Begum
Her ageless appeal is reaffirmed from the fact that most of
her big hits have been transformed into successful remixes.
The 94-year-old Padma Bhushan recipient, who made some of
her most memorable songs with music directors like Naushad and O P
Nayyar, Passed Away on April 23. But the splendor of her songs, the
euphoria it generates will live on for time immemorial.
Here's a tribute to the melodious legend with a compilation
of her 10 most popular songs.
Mere Piya Gaye Rangoon, Patanga (1949)
Patanga 1949 chartbuster has enjoyed many a decades of
glory . Here's why:
C Ramachandran's sprightly song, Mere Piya Gaye Rangoon illustrates
the woes of long-distance romance through Shamshad Begum's impish complains
over the 'telephone' and Chitalkar's equally sporty response picturised on a
radiant Nigar Sultana and the yesteryear comedian Gope.
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